The geese are eating kernels. Some
Make them wise. Some make them Good. And the body of The man of grief and lust and mayhem Buried there bursts with seeds And stalks of puff balls and elderberries. Meanwhile, test yourself: the kit That checks the state of your capillaries-- If your food is too refined, They can shred, if too rich And passionate, they might burst. Did you ever wake up with perfect pitch, A memory of a farm in Brooklyn, A hidden lane in Queens? Each kernel Cracks. The geese feed, each strand Of love and wisdom is eternal.
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The person lives in the Holy Land,
And the Holy Land lives in the person, Suffused with light from an unknown source, And if, by God, the world should worsen, We must, in the twilight, look for that light, Perhaps in the folds of the frontal lobe, Finding ourselves on an absolute plain, Waiting for light to pummel the globe, To see the land of freedom, to ride Its highways, decipher the circuitry Of its stones, to read the earth, To climb swiftly alongside the sea Through the foliage, the green scent Of liberty, of the clouds that appear Only at this altitude, Strong, out to the high frontier. Light will billow in the brain,
A hot air balloon will ascend, light Will roll down the avenue and break Into foam, and every slight Typed reminder with every clause And subclause, and every marching band Playing every squeaky note, Will be your lovely, grand, Delightful thrill, as soup heats on The stove, whose smell seeps through the street Until the hills of Mars, and so In each ravine, until the bleat- Ing of the lambs, until the wind That circled in the grotto blows Upon the protesting gulls, that whirl To heaven, and puffs the stiff clothes Hanging on the line, and lady- Bugs tumble through the air, Hanging onto a thought, if that, And rise above their roots, a fair Distance in the sky, and the wind Thrums, an edge of black sky And white stars, and a tumbling diver, The smallest step you take on the high Crag now outstrides your former Stride, the sun blazes, to fade The moon into pale blue. And the oriole Puffs its chest on the palisade. Don’t worry. You can’t catch rabbits
Or trout, or earn a Ph.D. How sweet to get a perfect bowling Score, but assiduity Is sometimes overrated. You don’t Have to catch every act In every loft in Williamsburg. You can, during the entr’acte, Look at your phone and scuttle away, And maybe on the street, the shine Of sun reflected on the bus Shelter will make you leonine. You might excuse yourself when you’re approached To join the fight for softer shades Of gray in women’s clothes. Streetlights At noon deserve no accolade. You have a good reason to be up on the roof. Think about it. There are times to come down And mop the floor. What mysteries At other times the suds would drown. The birds are pecking at bread crumbs and suet,
The rooster knows how to crow, the crow Seeks shiny things. In the end, The hummingbird seeks an incognito Land, trees just beginning to grow. There is a man in charge of the lawns. He’s not stupid, but how much can you say To the spring flowers and occasional fawns? Well, all right, that’s not what we need, Sometimes a walk beneath the crags Is what we need. And since we’ve seen Van Goghs, the way the wind zigzags Across the fields is familiar. We smell the moist chlorophyll, And see the yellow flowers, and The thick-lobed leaves on the Catskill, A spray of rain that sifts the smell Of tar from the wind, an old man And a warm wind, an acorn, a creek And the sand in a glinting gold pan. The alarm clock on the left of the bed,
The list of things to do on the right, The organizer, the old-fashioned watch That goes tick-tick. If a Hittite Were to leap up from behind your desk And rouse you from your torpor, smile Indulgently, “Thanks good fellow.” The bottle rolling in the aisle, The yawp of cars, the irritation At the worker with the squishy Laugh. And look the river takes in Everything. Anguish, wee- Ping, bring them in and open up The windows, flood the room with sun, Until your strength will last longer than death And your faith will outlive oblivion. Why are we here, bringing more boxes
Into the field? Unpacking, bit By bit, this place can be surprising, Broader than we thought, sunlit Unexpectedly, home. Because We have pushed at the doors that were closed before K, we will carry in midgets, the wash, The old journals, a janitor, Perhaps an emperor. Even The crows help out—they still stay crows But in a different sky—a place That draws its lines, its indigos, From somewhere else. From somewhere else, Or else becomes that somewhere else? There is no way to know (as yet?). And when will there be nothing else? The air is cool and fresh in the field
At three in the morning, and upstairs A light goes on. The next day, The reaper flicks the stalks, the stairs Rise up to where a lively child Is born. Do not be afraid Of life in the field, its rough vigor, It is a gift of God, the hand and the spade. From thought and not just any thought,
From thought that’s hidden, and not because Anyone hid it, come souls. Some Are new, some respond to applause, Some applaud, and some come looking For the concierge—because, Isn’t everything ready? Up there, It’s all one, fingers and claws. From the office that isn’t even an office, Everything you can see is blessed. All your friendships, plus the museum, Beyond the clouded Everest. Do not stop the image of
The mystery, the secret of Creation. Do not stop the secret Image. The bay window, the glove, 207 stars, the sunlight Seeps across the eastern sky. Do not stop the museum from making Its exhibition rooms, Shanghai And a nightclub. Mandelbrot Had to come from somewhere that Came from somewhere, but do not stop The mountain or the fretful gnat. |
Yaacov David Shulman
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